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Directing credits include Merryn John's "Love Is A Blue Jay", Village Playwrights NYC, "All About Love" New Victory Theater, installations for New York Fashion Week, The Pierre Taj Hotel, Madonna-Washington Square Park, Don Most from Happy Days, and Sonas Denim Commercial. Choreographic works include Divorce HBO, Saturday Night Fever Engeman Theater, "Heading East" starring BD Wong, Prospect Theater, "Vinegar Tom", "Retrofactoy" Theater C, Peter Pan Dreamland Stages, "Cotton Candy and Cocaine" New York Theater Barn, choreographic men-tee under Sergio Trujillo for The Donna Summer musical on Broadway, choreographic labs for Waitress (Broadway), Twelfth Night (Public Theater), Encore's God Bless You Mr. Rosewater, commissions for NYU, Marymount, AMDA, and performing alongside The Martha Graham Dance Company at its Benefit for Haiti. She is a CUNY awardee and Dance Lab New York connect artist with Sam Pinkelton and Josh Prince.
She is the executive producer and founder of Breton Follies Productions, featured at New Victory Theater 42nd Street, Jacob's Pillow Dance Festival, City Center, and has taught for New York University, Fordham University, Smith College, Broadway Dance Center, Joffrey Ballet School, The Place (London), Dance Base Scotland, San Francisco State University, LINES and Complexions Contemporary Ballet. She holds a BFA in Ballet Performance from the University of Utah and received her training at the School of the Hartford Ballet. Her work has been featured in Deadline, The New York Times, the New York Post, Curve Magazine, Broadway World, Pointe Magazine, Dance Magazine and the Huffington Post.