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A sought-after choreographer and director for opera and theatre, notable commercial projects for Curran include Salome (Opera Theatre of St. Louis, San Francisco Opera, Opera Montreal, San Diego Opera); Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater; An American Soldier, 27, Dr. Sun Yat Sen, Shalimar the Clown, Ariadne on Naxos, Nixon in China, Daughter of the Regiment, and Champion at Opera Theater of St. Louis; NYC Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; Shakespeare in the Park's As You Like It; the Metropolitan Opera's Romeo and Juliette; Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater; and Broadway's James Joyce's The Dead, Cymbeline, and The Rivals at Lincoln Center Theater.
A graduate and faculty member of New York University's Tisch School of the Arts, Curran is currently an Arts Professor and Chair of the Department of Dance. He has over 25 years of teaching experience in modern technique, improvisation, body percussion and composition as a visiting artist at the American Dance Festival, Harvard Summer Dance Center, Bates Dance Festival, Boston's Conservatory of Music, and countless U.S. university dance departments and private studios. Curran has created works for The Wooden Floor, The Limon Dance Company, Trinity Irish Dance Company, ABT II, Denmark's Upper Cut Company, Sweden's Skänes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy.
Irish American Magazine selected Curran as one of its "Top 100" in 2002 and he has been awarded several Choreographer's Fellowships from the New York Foundation for the Arts. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival. Happiest when making new work, Curran hopes to continue to be an ambassador for the art of dance by building and educating the dance audiences of tomorrow.