As an educator, Brynlie specializes in contemporary fusion, jazz, lyrical, heels, and floorwork. Her teaching emphasizes musicality, dynamic movement quality, performance presence, and individual expression through mindful, intentional movement. IG @brynlie_

Class Description
Brynlie’s classes are grounded, encouraging, and designed to prioritize musicality, presence, and personal expression. Dancers are invited to connect to the music, move with intention, and explore their individuality while developing dynamic movement quality and performance presence. Her goal is for every dancer to leave class feeling more connected, empowered, and supported in their artistry.

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In 2020, Brandon began producing his own work including a short dance film, Drift, with choreographer Florian Lochner of FLOCK and a new immersive work, Broken Record, with Kayla Farrish, which premiered on The Little Island in NYC in August 2021. His recent dance film, ROLLBACK premiered in May 2023 as a part of the Future Dance Festival presented by 92NY Harkness Mainstage Series. He has created commissioned works for Houston Contemporary Dance Company, fireWALL Dance Theater, the High School for Performing and Visual Arts in Houston and universities across the country.

He is the host of Breaking the Wall Podcast which posts weekly episodes to provide tools and advice for early-career and pre-professional dancers. Brandon is a graduate of the University of Arizona, where he received his BFA in Dance and BA in Communication with a minor in Arts Administration. IG @itsbrandoncoleman

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Photo: Kim Doeleman

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Their performing credits include Broadway/National Tour: Mrs. Doubtfire The Musical, Beautiful The Carole King Musical, Lysistrata Jones, Memphis, The Lion King, Sweet Charity, Off-Broadway: The Life, Make Mine Manhattan, Ave Q, Regional Theater: Aida (Workshop), Flashdance, Candide, The Wiz, Ain’t Misbehavin’, Princess-A New Musical, Chicago, Footloose, AIDA, Nights on Broadway III, Shrek- The Musical (NY Workshop), Jawbreaker The Musical, Caty Bridgewater A Musical, The Submission, Closer, The Dead Guy, Television/Film: Blacklist (NBC), Girls on the Bus (HBO), I.F. (Paramount Pictures), Unbreakable Kimmy Schmidt, The Daily Show, As the World Turns, Step Up 3D, Devoted, Sylvia Plath Project.

As an educator, LaQuet’s movement analyst eye is a winning ingredient for helping students understand why the body moves with grace, style, and fluidity. The Onset Technique is an educational tool that promotes ease, flow, and connectivity. My methodology has been welcomed in multiple universities and conservatories, including Ballet Austin, The Performing Arts Project, Texas Christian University, and countless dance and theater schools nationwide.

As a writer, producer, and director/choreographer, they transitioned from the stage to behind the table, writing three plays ( Lifting a Burden, Driving, and Hearing The Pause), Freedom of Expression – A Choreopoem in collaboration with Dancers For Harris and Together Marching – Red Bucket Follies.

Additionally, their work is regarded as a contemporary visionary for theater and dance. Most recently, their work was seen at PACE University’s Big Fish The Musical, Oklahoma, and Marymount Manhattan College’s Little Women The Musical. Additionally, their choreography work can be seen in the music video Welcome Here. Their producer credits include The Submission, The Dead Guy, and Closer through their production company, Fearless Young Artists Studios.

Class Description:
Contemporary Jazz, all levels: This class is rooted in FYA Studios’ methodology, The Onset Technique. Starting with a performance-enhancing warm-up, this 90-minute class aids the artists with their ability to find ease, flow, and connectivity between their heads and their hearts. Every class will have across-the-floor techniques and varying dance combinations to proceed into a class of spoken and written reflections on what was experienced. The class concludes with a physical cool down, which returns every artist into a body that finds movement in the pausing and reflection in movement.

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Dr. Roberts is a 2026-2027 CUNY CDI fellowship choreographer. In February 2026, Dr. Roberts premiered a new evening length work titled PEOPLE at Arts on Site in NYC to sold out audiences. She holds a PhD from the University of California, Santa Barbara, and is a faculty member at Steps on Broadway NYC. Regional theater choreography includes: American Psycho, How to Succeed, Alice by Heart, and Jesus Christ Superstar. Recent performance work includes The Today Show, Dance Lab New York, chor. Phil Colgan, Sarah Parker, and Niani Feelings. She is a proud member of Actor’s Equity Association and is represented by Lakey Wolff.

@chloerobertsdance

Class description:
My classes often blend classical theater and jazz lineages with contemporary styles. Each class consists of a full, technical warm-up that incorporates stretching and strengthening to prepare the body for choreography. I firmly believe that class is a place to explore, create, and learn about yourself as an artist everyday, and I strive to make my class a positive and welcoming learning environment.

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She is always inspired to keep creating, collaborating, and expanding her knowledge and circle of fellow artists. 

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As a choreographer, she has been commissioned between Europe and the USA for videoclip, film, orchestra, theatre productions, and by many artists. She has screened her work in over 20 festivals both nationally and internationally.

Elisabetta’s work has been seen at Sheen Center, Baruch Performing Arts Center, Steps on Broadway, Martha Graham Theatre, KnJ Theater (Peridance) , Gelsey Kirkland Arts Center, Aaron Davis Hall, City College – New York, Green Space in Queens, Maxxi Museum, Teatro Palladium in Rome among many others.

Among the most recent works there are “Mother Warrior,” a short film created for the Virginia Experimental Film Festival 2021 and the Well Pennies’ music video “Stressed Out” filmed during the pandemic in 2020,she worked in 2022 on the duet “As you wish” for Peridance Contemporary Dance Company, on the trio “Distancia” for Aimed Dance Company in Texas and founded her own dance Company “SandSilk”.

Over the years she has had the pleasure to dance for some American choreographers including Elisa Monte, Molissa Fenley, Anabella Lenzu and Nathan Trice.

In Italy she has worked with Luc Bouy, Gloria Pomardi, Marika Vannuzzi, Mvula Sungani, Franco Miseria and Luca Tommassini. She worked also in the musical “The Rocky Horror picture Show”, “Datemi tre Caravelle” with Alessandro Preziosi and Niki Nicholai and in the musical “Lady Oscar” by Andrea Palotto.

Minutoli founded and has been the Associate Artistic Director of Vivo Professional Training Center in Rome in 2015, and as an educator for more than 20 years, she has been teaching in a lot of institutions, including universities, professional dance studios, companies, festivals, in the USA, Brazil, Bulgaria, Portugal and Italy.

She is one of the Artistic advisor board for Idaco Dance Festival in New York

She has also been a judge in many competitions in Italy, Croatia and Bulgaria.

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