Darrell Grand Moultrie

A recipient of the Princess Grace Choreography Fellowship Award & the SDC’s Joe A. Callaway Award for Excellence in Choreography, Darrell Grand Moultrie’s work includes DIRTY DANCING, THE MUSICAL, MS BLAKK FOR PRESIDENT at The Vineyard Theatre, New York Theater Workshop’s SATURDAY CHURCH and The Public Theater’s GODDESS earning a Lucille Lortel Award Nomination for “Outstanding Choreography” as well as an Outer Critics Circle Award Nomination for “Outstanding Choreography” for both productions in the same season. Additional credits include TWELFTH NIGHT (Shakespeare in the Park) the Pulitzer Prize winning play FAT HAM (Broadway & The Public) GOOD BONES (The Public Theater) FAT HAM (Royal Shakespeare Company) Disney’s new revival of the Tony Award winning musical AIDA in the Netherlands for which he received a  Netherland Musical Awards “Best Choregraphy” Award nomination, MERRY WIVES (Shakespeare in the Park) SPACE DOGS (MCC) DADDY (The New Group) WITNESS UGANDA (American Repertory Theater), SUGAR IN OUR WOUNDS (MTC) INVISIBLE THREAD (Second Stage), GODDESS (Berkeley Repertory Theater) REDWOOD (Portland Center Stage Theater)  and EVITA and PRIDE & PREJUDICE (Kansas City Repertory Theatre) and EL PUBLIC (Teatro Real – Madrid) 

Moultrie has created and staged works for dance companies across the world including American Ballet Theatre, The Alvin Ailey American Dance Theatre, Dance Theatre of Harlem, Hubbard Street Dance Chicago, Ballet X, Atlanta Ballet, Milwaukee Ballet, Colorado Ballet, Cincinnati Ballet, BalletMet Columbus, Ailey 2, Tulsa Ballet, Richmond Ballet, Smuin Ballet, Sacramento Ballet, Grand Rapids Ballet, The Juilliard School, North Carolina Dance Theatre, Cleo Parker Robinson Dance Ensemble, and NBA Ballet in Japan among others as well as additional choreography for Beyonce’s record breaking MRS CARTER World Tour. 

Moultrie is a graduate of The Juilliard School.